Tag Archives: Opera

WHAT EVERY EDUCATED CITIZEN OF THE WORLD NEEDS TO KNOW—-WORLD THEATER—CLASSICAL DRAMA IN WORLD LITERATURE——AESCHYLUS, SOPHOCLES, EURIPIDES, ARISTOPHANES, KALIDASA, THE NATYASASTRA & CLASSICAL SANSKRIT THEATER, JAPANESE NOH, BUNRAKU AND KABUKI THEATER, CHINESE ZAJU YUAN DRAMA, MENANDER, PLAUTUS, TERENCE, SHAKESPEARE, CALDERON, RACINE & MOLIERE——FROM THE WORLD LITERATURE FORUM RECOMMENDED CLASSICS AND MASTERPIECES SERIES, ROBERT SHEPPARD, EDITOR-IN-CHIEF

Posted on December 13, 2013 by robertalexandersheppard

WHAT EVERY EDUCATED CITIZEN OF THE WORLD NEEDS TO KNOW—-WORLD THEATER—CLASSICAL DRAMA IN WORLD LITERATURE——AESCHYLUS, SOPHOCLES, EURIPIDES, ARISTOPHANES, KALIDASA, THE NATYASASTRA & CLASSICAL SANSKRIT THEATER, JAPANESE NOH, BUNRAKU AND KABUKI THEATER, CHINESE ZAJU YUAN DRAMA, MENANDER, PLAUTUS, TERENCE, SHAKESPEARE, CALDERON, … Continue reading →

Posted in Uncategorized | Tagged Aeschylus, Agamemnon, Aristophanes, Aristotle, Aristotle's Poetics, Berthold Brecht, Birth of Tragedy, Brecht Epic Theatre, Bunraku Puppet Theater, Calderon, Catharsis, Chikamatzu Monzaemon, Chinese Opera, Classic Sanskrit Theater, Comedy, Cornielle, Drama, Epic, Eunuchus, Euripides, George Bernard Shaw, Goethe, Greek Comedy, Greek Drama, Greek Tragedy, Hamartia, History of World Drama, History of World Theatre, History Plays, Iphigenia, Kabuki Theatre, Kalidasa, Literary Criticism, Literary History, Lyric, Medea, Melodrama, Menander, Moliere, New Comedy, Nietzsche, Noh Drama, Noh Theatre, Oedipus, Old Comedy, Opera, Parsi Theatre, Peripetia, Phaedra, Phedre, Plautus, Pushcart Prize Nominated Novel Spiritus Mundi, Pushcart Prize Nominee Robert Sheppard, Racine, Renaissance Comedy, Renaissance Drama, Renaissance Tragedy, Revenge Tragedy, Reversal and Recognition, Robert Sheppard, Sanskrit Drama, Seneca, Shakespeare, Shakuntala, Sophocles, Spiritus Mundi Novel by Robert Sheppard, Terence, The Birds, The Chalk Circle, The Chinese Orphan, The Clouds, The Libation Bearers, The Love Suicides at Amajima, The Orphan Zhao, Theatre of India, Tragedy, Tragic Flaw, Tragic Hero, Urdu Theatre, Voltaire, World Civilization, World Comedy, World Culture, World Drama, World History, World Literary History, World Literature, World Literature Forum, World Literature Forum Robert Sheppard Editor-in-Chief, World Theater, World Theatre, World Tragedy | Leave a comment

A TALE OF TWO RINGS: EPIC AND ARCHETYPE IN TOLKIEN’S “LORD OF THE RINGS“ & WAGNER’S “THE RING OF THE NIBELUNGEN”—PLUS “THE NORSE PROSE EDDA,” “THE VOLSUNGA SAGA” AND THE “NIBELUNGENLIED”—–FROM THE WORLD LITERATURE FORUM RECOMMENDED CLASSICS AND MASTERPIECES SERIES VIA GOODREADS—-ROBERT SHEPPARD, EDITOR-IN-CHIEF

Posted on September 21, 2013 by robertalexandersheppard

The Fellowship of the Ring by J.R.R. Tolkien My rating: 5 of 5 stars A TALE OF TWO RINGS: EPIC AND ARCHETYPE IN TOLKIEN’S “LORD OF THE RINGS“ & WAGNER’S “THE RING OF THE NIBELUNGEN”—PLUS “THE NORSE PROSE EDDA,” “THE … Continue reading →

Posted in Uncategorized | Tagged Alberich, Anima, Anima Archetype, Animus, Aragorn, Archetypal Criticism, Archetypal Psychology, Archetype, Archetypes in World Literature, Ars Poetica, Art of Poetry, Arwen, Balrog, Bilbo, Book Reviews by Robert Sheppard, C.G. Jung, Collective Unconscious, Das Rheingold, Devil Archetype, Die Valkure, Dwarf, Elf, Epic, Epic Genre, Fantasy Epic, Fantasy Novel, Frodo, Galadriel, Gandalf, Gotterdammerung, Horace, J.R.R. Tolkien, Joseph Campbell, Jung, Magic Ring, Merry, Modern Myth, Mordor, Morgoth, Myth, Myth in Literature, Nietzsche, Opera, Orc, Pippin, Ragnarok, Richard Wagner, Ring Cycle, Robert Sheppard, Romanticism, Sam, Sauron, Shadow Archetype, Siegfried, Spiritus Mundi, Spiritus Mundi Novel by Robert Sheppard, The Doppelganger Archetype, The Hero With a Thousand Faces, The Lord of the Rings, The Quest Archetype, The Ring of Power, The Ring of the Niebelung, The Valkirie, Theory of Archetypes, Theory of Epic Genre, Theory of Genre, Tolkien and Wagner, Twilight of the Gods, Valar, Valhalla, Wagner, World Literature, World Literature Forum | Leave a comment

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